Call for Papers – Resignifications: The Black Mediterranean

Call for Papers

ReSignifications: The Black Mediterranean

City of Palermo − 2018 Italy’s Capital of Culture

University of Palermo (Italy), 7-9 June 2018

 

ReSignifications: The Black Mediterranean joins a series of international conversations, including Black Portraitures, breaking new ground in the fields of African and African Diasporic art, literature, cultural theory, history, and political practice. Scholars, writers, artists, and cultural activists from around the world will gather in the heart of the Mediterranean to reason together about issues of representation, migration, diaspora, slave-trade, border, mobility, citizenship, and human rights. We will discuss from a variety of approaches the historically and contemporary ways in which black voices have been silenced and black bodies have been ambiguously imagined in Western-dominated global culture. We will investigate why these questions are relevant to what is happening today in the Mediterranean, a crucial site of the African diaspora since the classic era.

Sicily lies at the center of the Mediterranean, where Africa and Europe encounter. Historically considered part of either one of the two continents, depending on the domination of the moment, the island has always functioned as a bridge. Its capital city Palermo, world-renowned for its diverse artistic and cultural heritage, is today one of the major ports of refuge for the countless migrants who arrive in Europe in flocks from the African shores. Designated Italy’s 2018 Capital City of Culture, on June 7-9 Palermo will become a resonant chamber of the million visual, oral, written, performed stories of the African diaspora.

At the backdrop to the conference will be the exhibition ReSignifications: European Blackamoors, Africana Readings, with the connected Wole Soyinka: Antiquities Across Times and Place. Collateral events of the MANIFESTA European Biennial of Contemporary Art, the exhibits will display the works of an array of international artists and the African art collection of Nigerian Nobel Prize for Literature Wole Soyinka, who will open the conference.

 

Topics
  • Across the seas: performing the passage
  • Autobiographies and self-portraiture
  • Staging black archetypes
  • Representations and politics of the black body
  • Africa meets Europe
  • Displacements: narratives of the harg
  • Borders, safety and public authority
  • After the Crusades: religion and warfare
  • Islands and Archipelagos
  • Creolization, hybridization and métissage
  • Moors and Blackamoors
  • Afro transnational formations
  • The porosity of the sahel
  • Africa and the Maghreb
  • Slave-trade, sex-trafficking, human rights
  • Coloring the Mediterranean
  • Trans/identities: gendering/queering Africa and the Diaspora
  • African intersections
  • Black Italia
  • Migration in the media
  • Imagining citizenship: refuge, asylum, home
  • Afro soundscapes
  • Ports: shipwrecks and landings
  • Memorialization and public commemoration
  • The archives of the Diaspora
  • The color(s) of Sicily
Proposals should be submitted by the EXTENDED DEADLINE of Sunday, April 22, 2018 @ 11:59PM
SUBMIT PROPOSAL

 

 

Photo © Omar Victor Diop, St. Benedict the Moor (1524-1589), MAGNIN-A Gallery Paris