{"id":1005,"date":"2026-03-20T03:39:40","date_gmt":"2026-03-20T11:39:40","guid":{"rendered":"https:\/\/www.blackportraitures.info\/bp-la\/?page_id=1005"},"modified":"2026-03-23T05:15:22","modified_gmt":"2026-03-23T13:15:22","slug":"elleza-kelley","status":"publish","type":"page","link":"https:\/\/www.blackportraitures.info\/bp-la\/elleza-kelley\/","title":{"rendered":"Elleza Kelley"},"content":{"rendered":"\n<div class=\"wp-block-getwid-section alignfull alignfull getwid-section-content-custom-width\"><div class=\"wp-block-getwid-section__wrapper getwid-padding-left-medium getwid-padding-right-medium\"><div class=\"wp-block-getwid-section__inner-wrapper\" style=\"max-width:1140px\"><div class=\"wp-block-getwid-section__background-holder\"><div class=\"wp-block-getwid-section__background\"><\/div><div class=\"wp-block-getwid-section__foreground\"><\/div><\/div><div class=\"wp-block-getwid-section__content\"><div class=\"wp-block-getwid-section__inner-content\">\n<div class=\"wp-block-columns has-2-columns are-vertically-aligned-center is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Elleza Kelley<\/h5>\n\n\n\n<div class=\"wp-block-getwid-advanced-heading\" style=\"margin-bottom:0px;margin-top:0px\"><span class=\"wp-block-getwid-advanced-heading__content\">She\/Her<\/span><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Assistant Professor, Yale University<\/p>\n\n\n\n<p>Elleza Kelley is an assistant professor of English and Black Studies at Yale University. Her forthcoming book,&nbsp;<em>Flight Lines: A Poetics of Black Space<\/em> (Duke University Press, 2026) traces the relationship between black geographies and black aesthetics in African American literature and visual art. Her scholarly and public writing can be found in <em>Antipode: A Radical Journal of Geography<\/em>,&nbsp;<em>ACME: An International Journal for Critical Geographies<\/em>,&nbsp;<em>ISLE Journal<\/em>, <em>Souls<\/em>, <em>The Yale Review<\/em>, and elsewhere.&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-getwid-advanced-spacer\" style=\"height:10px\" aria-hidden=\"true\"><\/div>\n\n\n\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-text-color wp-element-button\" href=\"https:\/\/www.blackportraitures.info\/bp-la\/presenters\/\" style=\"color:#000000\">BACK<\/a><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full size-large\"><img decoding=\"async\" src=\"https:\/\/www.blackportraitures.info\/bp-la\/wp-content\/uploads\/sites\/19\/2026\/01\/ssaDxLVdICrOhbVwdULJy-_Xk9tv8yVshpxF_zNKEdo.jpeg\" alt=\"Elleza Kelley\" class=\"wp-image-917\" style=\"aspect-ratio:1;object-fit:cover\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":28,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"qubely_global_settings":"","qubely_interactions":"","inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-1005","page","type-page","status-publish","hentry"],"blocksy_meta":[],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false,"qubely_landscape":false,"qubely_portrait":false,"qubely_thumbnail":false},"uagb_author_info":{"display_name":"cm","author_link":"https:\/\/www.blackportraitures.info\/bp-la\/author\/cherylmann\/"},"uagb_comment_info":0,"uagb_excerpt":null,"_links":{"self":[{"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/pages\/1005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/comments?post=1005"}],"version-history":[{"count":2,"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/pages\/1005\/revisions"}],"predecessor-version":[{"id":1565,"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/pages\/1005\/revisions\/1565"}],"wp:attachment":[{"href":"https:\/\/www.blackportraitures.info\/bp-la\/wp-json\/wp\/v2\/media?parent=1005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}